STERLING  AND  FRANCINE  CLARK  ART  INSTITUTE 

WILLIAMSTOWN,  MASSACHUSETTS  01267 


ND237  Knoedler,  M. , & Company,  inc., 
W5.5  New  York. 

K56  Catalogue  of  an  exhibition  of 

1911  etchings  and  dry  points  by  James 
C.2  Abbott  McNeill  Whistler.  rNew 
York,  1911a 


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ETCHINGS 

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355  Fifth  Avenue 

Cor.  Thirty-fourth  Street 

N K W Y O K K 

JFrbruarg.  19  11 


Key  to  Abbreviations 


W. — Wedmore’s  Catalogue. 

K. — E.  G.  Kennedy’s  Grollier  Catalogue. 

M.— Howard  Mansfield’s  Caxton  Catalogue. 

G. — Grollier  Exhibition  Catalogue,  1904. 

W.  Supp. — Wedmore’s  Supplement. 

Roman  Numbers. — Progressive  Proofs  according 
Kennedy’s  Grollier  Catalogue. 


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CATALOGUE 


LIVERDUN  II. 

W-4.  K-16.  M-16. 

One  of  the  twelve  French  Set.  1859. 

LA  RETAMEUSE  II. 

W-5.  K-14.  M-11. 

One  of  the  twelve  French  Set.  1859. 

THE  DOG  ON  THE  KENNEL  I. 

W-8.  K-18.  M-18. 

LA  MERE  GERARD  IV. 

W-9.  K-11.  M-13. 

One  of  the  twelve  French  Set.  1859. 

STREET  AT  SAVERNE  V. 

W-11.  K-19.  M-19. 

One  of  the  twelve  French  Set.  1859. 

LITTLE  ARTHUR  V. 

W-13.  K-9.  M-7. 

One  of  the  twelve  French  Set.  1859. 

ANNIE  IV. 

W-15.  K-10.  M-8. 

LA  MARCHANDE  DE  MOUTARDE  II. 

W-16.  K-22.  M-22. 

One  of  the  twelve  French  Set.  1859. 

LA  MARCHANDE  DE  MOUTARDE  V. 

W-16.  K-22.  M-22. 

5 

... 

JIT 


10 


FUMETTE  IV. 

W-18.  K-13.  M-15. 


11 


FUMETTE  (Trial  Proof)  III  and  IV. 

W-18.  K-13.  M.-15. 

One  of  the  twelve  French  Set.  1859. 

THE  KITCHEN  II. 

W-19.  K-24.  M-24. 

One  of  the  twelve  French  Set.  1859. 


13  THE  TITLE  TO  THE  FRENCH  SET  I. 
W-20.  K-25.  M-25. 


14 


A LITTLE  BOY  I. 

W-22.  K-29.  M-6. 


15 


SEYMOUR  II. 

W-23.  K-31.  M-32. 


sS 


ANNIE,  SEATED  I. 

W-24.  K-30.  M-29. 


17 


READING  BY  LAMPLIGHT  II. 

W-25.  K-32.  M-30. 

THE  MUSIC  ROOM  I.  /?“ 

W-26.  K-33.  M-31. 

READING  IN  BED  I and  II. 

W-29.  K-28.  M-28. 


20  THE  WINE  GLASS  (Trial  Proof)  I. 

W-31.  K-27.  M-27. 

6 


) 


21  GREENWICH  PARK  I. 

■— — ‘ W-33.  K-35.  M-34. 

22  NURSEMAID  AND  CHILD  I. 

W-34.  K-37.  M-36. 

2^  ^ THAMES  POLICE  II. 

W-42.  K-44.  M-43. 

the  sixteen  Thames  Set.  1859-60-1-2.  Pub.  1871. 

24  ’LONGSHOREMEN  I. 

mZrnrn  W-43.  K-45.  M-44. 

25  THE  LIME-BURNER  II. 

W-44.  K-46.  M-45. 

One  of  the  sixteen  Thames  Set.  1859-60-1-2.  Pub.  1871. 


26  BILLINGSGATE  II  and  V. 


W-45.  K-47.  M-46. 


After  100  impressions  pub.  in  portfolio,  January,  1878. 


27  THE  LANDSCAPE  WITH  THE  HORSE  I. 

W-46.  K-36.  M-35. 

28  ARTHUR  HADEN. 


W-47. 

K-61.  M-61. 

2? 

PORTRAIT  OF  WHISTLER  II. 
W-52.  K-54.  M-54. 

>• 

FINETTE  VII. 
W-54.  K-58.  M-58i 

/ 

THE  FORGE  III. 
W-63.  K-68.  M-68. 


One  of  the  sixteen  Thames  Set.  1859-60-1-2. 


Pub.  1871. 


32„..  MILLBANK  (4  States). 

W-67.  K-71.  M-71. 

One  of  the  sixteen  Thames  Set.  1859-60-1-2. 
/ 


Pub.  1871. 


THE  LITTLE  WAPPING  II. 
W-71.  K-73.  M-72. 


TINY  POOL  III. 
W-73.  K-173.  M-170. 


LITTLE  SMITHFIELD  I. 
W-78.  K-160.  M-157. 


CADOGAN  PIER  I. 

W-79.  K-75.  M-75. 

One  of  the  sixteen  Thames  Set.  1859-60-1-2.  Pub.  1871. 
(Title  in  the  sixteen  Set,  “Early  Morning,  Battersea.”) 


^ 37  OLD  HUNGERFORD  BRIDGE  III. 

W-80.  K-76.  M-76. 

One  of  the  sixteen  Thames  Set.  1859-60-1-2.  Pub.  1871. 


^ 38 


AMSTERDAM,  FROM  THE  TOLHUIS  I. 
W-82.  K-91.  M-91. 


39  CHELSEA  BRIDGE  AND  CHURCH  VI. 

W-85.  K-95.  M-96. 

’^One  of  the  sixteen  Thames  Set.  1859-60-1-2.  Pub.  187L 


8 


40 

SPEKE  HALL  VIII  (Signed). 
W-86.  K-96.  M-95. 

41 

THE  MODEL  RESTING  IV. 
W-87.  K-100.  M-118. 

42 

SWAN  BREWERY  I. 
W-89.  K-98.  M-97. 

THE  VELVET  DRESS  IV. 
W-91.  K-105.  M-105. 

44  THE  LITTLE  VELVET  DRESS  II.  (Paris  Ex.) 


W-92.  K-106.  M-106. 

45 

ELINOR  LEYLAND  V. 
W-95.  K-109.  M-108. 

46 

FLORENCE  LEYLAND  VI. 
W-96.  K-110.  M-109. 

47 

READING  A BOOK  I. 
W-97.  K-111.  M-110. 

48- 

TATTING  I. 

W-98.  K-112.  M-111. 

49 

MAUDE.  STANDING  VI.  and  IX. 
W-99.  K-114.  M-113. 

50  MAUDE,  SEATED  I.  (Full  Face.)  (Undescribed.) 


51 

W-100.  K-115.  M-114. 

TILLIE:  A Model  I. 
W-102.  K-117.  M-116.  1873. 

9 


52 


THE  BOY  IV.  (Paris  Ex.) 
W-109.  K-135.  M-133. 


^53 


THE  LITTLE  FORGE  V.  (Before  Butterfly.) 
W-115.  K-147.  M-145. 


54 


THE  PIANO  V. 
W-H7.  K-141.  M-139. 


55  THE  WHITE  TOWER  I.  (Riverside  Sketch.) 

W-128.  K-150.  M-148. 

56  ; A SKETCH  FROM  BILLINGSGATE  VI. 

" W-130.  K-168.  M-164. 

\\  57  FISHING-BOATS,  HASTINGS  II. 

S W-131.  K-158.  M-155. 


61 

iJL 

^2 

63 


FREE-TRADE  WHARF  I and  V. 
W-134.  K-163.  M-160. 

LORD  WOLSELEY  IV. 

W-138.  K-164.  M-166.  J . 

BATTERSEA  BRIDGE  Between  II  and  III.^ 
W-141.  K-177.  M-174. 

PUTNEY  BRIDGE  III. 

» W-145.  K-178.  M-175. 

HURLINGHAM  III. 

W-147.  K-181.  M-178. 

FULHAM  II. 

' W-148.  K-182.  M-179. 


10 


64  THE  LITTLE  VENICE  I. 

W-149.  K-183.  M-182. 

One  of  the  twelve  Venice  Set.  1880. 

65  NOCTURNE  III. 

W-150.  K-184.  M-181. 

One  of  the  twelve  Venice  Set.  1880. 
(Whistler’s  Masterpiece.)  This  copy  was  selected 
for  the  Paris  Exposition  of  Whistler’s  Works, 
1905,  and  is  considered  the  finest  impression 
from  the  plate. 

66  THE  LITTLE  MAST  I. 

W-151.  K-185.  M-182. 

, One  of  the  twelve  Venice  Set.  1880. 

.nW.. 

67  THE  PALACES  II. 

W-153.  K-187.  M-184. 

One  of  the  twelve  Venice  Set.  1880. 

68  THE  DOORWAY  VII. 

W-154.  K-188.  M-185. 

One  of  the  twelve  Venice  Set.  1880. 


69  THE  TRAGHETTO  No.  2,  III. 

W-156.  K-191.  M-188. 

One  of  the  twelve  Venice  Set.  1880. 

70  THE  RIVA  No.  1,  III. 

W-157.  K-192.  M189. 

One  of  the  twelve  Venice  Set.  1880. 

71  TWO  DOORWAYS  V. 

W-158.  K-193.  M-190. 

One  of  the  twelve  Venice  Set.  1880. 


/ 


11 


72 


THE  BEGGARS  IX. 

W-159.  K-194.  M-191. 

One  of  the  twelve  Venice  Set.  1880. 


73 


THE  MAST  V.  (H.  M.  Ex.) 


W-180.  K-195.  M-192. 

One  of  the  twelve  Venice  Set.  1880. 

74  DOORWAY  AND  VINE  (Early  Trial  Proof)  I. 

W-161.  K-196.  M-193. 

One  of  the  Twenty-Six  etchings. 

75  WHEELWRIGHT  V. 


77  BEAD-STRINGERS  (Early  State)  VIII. 
W-164.  K-198.  M-195. 

One  of  the  Twenty-Six  etchings. 


W-162.  K-233.  M-230. 


One  of  the  Twenty-Six  etchings. 


76 


SAN  BIAGIO  IX. 
W-163.  K-197.  M-194. 

One  of  the  Twenty-Six  etchings. 


C 78 


NOCTURNE  PALACES  II. 
W-168.  K-202.  M-199. 

One  of  the  Twenty-Six  etchings. 


THE  BRIDGE  II. 
W-171.  K-204.  M-201. 

One  of  the  Twenty-Six  etchings. 


80 


LOBSTER  POTS  III. 
W-174.  K-235.  M-233. 

One  of  the  Twenty-Six  etchings. 


12 


81 

THE  RIVA  No.  2,  I. 
W-175.  K-206.  M-203. 

One  of  the  Twenty-Six  etchings. 

82 

THE  BALCONY  I. 

•»  W-177.  K-207.  M-204. 

One  of  the  Twenty-Six  etchings. 

83  , 

FISHING-BOAT  IV. 
W-178.  K-208.  M-205. 

One  of  the  Twenty-Six  etchings. 

84 

PONTE  PIOVAN. 
W-179.  K-209.  M-206. 

One  of  the  Twenty-Six  etchings. 

85  THE  RIALTO  II. 

W-181.  K-211.  M-208. 


^ S6 

One  of  the  Twenty-Six  etchings. 

LONG  VENICE  III. 
W-182.  K-212.  M-209. 

\\  i 87 

FURNACE  NOCTURNE  Trial  between  I and  II. 
Also  VI. 

W-183.  K-213.  M-210. 

LAGOON:  Noon  III. 
W-186.  K-216.  M-213. 

89 

MURANO-GLASS  FURNACE  IV. 
•*  W-187.  K-217.  M-214. 

13 


FISH-SHOP,  VENICE  V. 

W-188.  K-218.  M-215. 

REGENT’S  QUADRANT  IV. 

W-192.  K-239.  M-235. 

THE  SMITHY  V. 

W-197.  K-240.  M-237. 

DORDRECHT  II. 

W-200.  K-242.  M-239. 

A BOOTH  AT  A FAIR  I. 

W-203.  K-249.  M-245. 

COTTAGE  DOOR  II. 

W-204.  K-250.  M-246. 

A SKETCH  IN  ST.  JAMES’S  PARK  I. 
W-207.  K-255.  M-251. 

A FRAGMENT  OF  PICCADILLY  I. 
W-208.  K-256.  M-252. 

ST.  JAMES’S  PLACE,  HOUNDSDITCH  I. 
W-232.  K-299.  M-284. 

CUTLER’S  STREET,  HOUNDSDITCH  II. 
W-234.  K-292.  M-287. 

TROOP  SHIPS  I. 

W-238.  K-319.  M-314. 


S 101 

NOCTURNE:  Dance  House  II. 
W-265.  K-408.  M-407. 

^ 102 

PORTSMOUTH  CHILDREN  I. 
W-275  Supp.  K-322.  M-317. 

103  OLD  CLOTHES  SHOP,  No.  2.  Between  I and  II. 
W-302  Supp.  K-258.  M-254. 


104^ 

MISS  LENOIR  I. 
W-309  Supp.  K-334.  M-330. 

SWAN  AND  IRIS  I «nd  II. 
W-310  Supp.  K-241.  M-238. 


106 

J.  H.  WOOD’S  FRUIT  SHOP  II. 
— G-326.  K-265.  M-261. 

107 

THE  MANTLE  I. 
G-340.  K-336.  M-332. 

108 

LUXEMBURGH  GARDENS  I. 
G-383.  K-429.  M-419. 

109 

RUE  DE  SEINE  II.  (Newspaper  Stall.) 
G-349.  K-432.  M-426. 

5 110 

PORTRAIT  OF  WHISTLER,  by  C.  Pellegeini. 

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